History
Low-frequency oscillation as a concept was first introduced in the modular synths of the 1960s and 70s. Often the LFO effect was accidental, so there were myriad configurations that could be 'patched' by the synth operator. LFOs have since appeared in some form on almost every synthesizer. More recently other electronic musical instruments, such as samplers and software synthesizers, have included LFOs to increase their sound alteration capabilities.Overview
The primary oscillator circuits of a synthesizer are used to create the audio signals. A LFO is a secondary oscillator that operates at a significantly lower frequency (hence its name), typically below 20 Hz. This lower frequency or control signal is used to modulate another component's value, changing the sound without introducing another source. Like a standard oscillator, this usually takes the form of a periodic waveform, such as a sine, sawtooth, triangle or square wave. Also like a standard oscillator, LFOs can incorporate any number of waveform types, including user-defined wavetables, rectified waves and random signals.Using a low-frequency oscillation signal as a means of modulating another signal introduces complexities into the resulting sound, such that a variety of effects can be achieved. The specifics vary greatly depending on the type of modulation, the relative frequencies of the LFO signal and the signal being modulated, et cetera.
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